THE DEFINITIVE GUIDE TO CHARLIE CHAPLIN'S "THE CIRCUS" (1928)

They are frequently yearning romantics, using this type of distinction: Buster looks a plausible mate, and also the Tramp hardly seems to have a libido, only idealized notions. If their comedies had been built in a far more liberated time, it is feasible to assume Keaton in bed with a girl, but disquieting to think of the Tramp to be a sexual remai